A link to my....

Showing posts with label behind the scenes. Show all posts
Showing posts with label behind the scenes. Show all posts

Sunday, 11 August 2013

Tears


Breathe In. Breathe Out. has within it the representation of blood sweat and tears. 

This chandelier represents the tears. 

It was a leap of faith to make, especially the one pictured first as it was quite a progression from the others and wasn't really planned, I just went with the flow when I was so in the thick of it, that there was no time for pause, fear or wonder, its dive in or the idea dies, so I just did it and it made me feel really electric, one of those golden force moments. 

When I put the whole thing together in the wee hours of the morning before the opening, I had to leave the room, I was vulnerable with extreme tiredness and It was so beautiful in the dim light of my living room that my heart started to beat really fast and I had to watch a Mork and Mindy in the other room to calm down. I couldn't believe I had done it. When I proposed all this work with a month to make it, I feared this would be cast to the wayside, because it was so time consuming, but it was so vital! So I made it my 'at home work', so if I was home from the studio, which wasn't often, this is what I was doing and not a moment was wasted. 

Tears were such a present part of making all this work. I didn't make the work, just humming along quietly. I thrashed at it and against it, I cried all the time, in joy and despair, almost every time I actually stopped for a moment, I wept with exhaustion and worry. Everytime I triumphed the tears flowed. I bloodied my knees, pricked my finger, sliced my thumb and glued it together with superglue, because there simply wasn't time for all that. I purged alongside the work and my oh my did I sweat, especially while sewing inside the teleportation tunnel, it was basically like being covered in cling film, in this humid weather in my already too warm studio and the lugging, I would fid myself repeating in my head, donkey mum, donkey artist and dreampt of a time where i would leave the house with a key in my bra and just float away. 

This isn't a sad piece, it is the acknowledgement of emotion,within the cycle of our existence. The release of this energy, allowing us to move.











Thursday, 29 November 2012

Exorcising Exercise

4WUCni on Make A Gif, Animated Gifs
make animated gifs like this at MakeAGif



Self Séance 2012

Last chance to see it at 
Apiary Studios
458 Hackney Road
London
E2 9EG

11am-7pm until December 2nd

Or buy tickets for the last in the series of the 

Dec 2nd 
8-11pm

I will be there! xx

Wednesday, 9 May 2012

The Wedding Invitation of Lauren Hart and Paul Lamey

So I eagerly waved my hand in the air when Lauren and Paul suggested I might do something creative for their wedding and suggested that I do a picture for their invitations.

I realised that it has never been more vital than this moment that I do a distinct likeness, to be honest I have always given myself artistic leaway and it usually works out ok and I get a close enough likeness, but it would have been pretty weird if they just looked like a couple of randoms. 
To be honest I felt the pressure and I fannied around until there was no time left to fanny around anymore and then i just sewed and sewed until my eyes went crossed.

I thought i might share some of the process with you since it wasn't smooth riding, (I started Pauls face three times!) but in the end the solution seemed like a perfect journeys end and I think everyone was smiling and pleased.

(PS. I have just discovered animated gifs an think you may be seeing alot of them from now on) 


Drawings and First Stages
aka toe-dipping

saltandpreppa

The many Harts of Lauren

boogielozza

Some for Fun
Lauren as a tortoiseshell cat, Lauren and Paul dreaming of a nice council flat, good Lauren and naughty Lauren whispering in Pauls ear.

lozzapaulioli




and the
Grande Finale


And as if things hadn't already gotten silly enough,
I was compelled to make this!


Sunday, 24 July 2011

Its like holding hands, only rougher







I just went to do an artists residency in the Sonoma Hills of California. I have to admit when I arrrived there was a storm a brewing inside, I did the same residency last year and the whole landscape and experience was so pregnant with the love I felt and received from someone special, that to go back to the land, to retread those sacred footsteps alone suddenly filled me with fear and as the plane took off I just wept.

There is a term in New Orleans called 'taking the beast for a walk', well that is exactly what I intended to do, was gonna get on that hill and curate the sky with kites, like speech bubbles, or bat signals, or even exorcisms of the fliers. So excited to collaborate with the wind and in my mind I wanted to build this huge whily out of control kite, that wouldn't necessarily work with the wind, that would furl and unfurl, morph and and just rah in the sky. I didn't know if I could do it, I had an excellent kite construction book and of course my usual cockiness that anything can be done.

So as we are driving from San Francisco we stop and get a bite to eat at this funny little seaside restaurant with a cowboy band honky tonking in the next room, we fill our bellies and say cheers to the impending adventure with a litte sparkly. Before we left, I needed to dip into that sea, cos when I see the sea, I just need a little baptism, so i ran in with my clothes on, (to be fair my little jumpsuit was not much more than a swimming costume and bang, it was a real boistroous sea, it gave me a real tumble and I swam out to where the waves were a little less crashy. I will tell you, it was beautiful and fierce, it was icey cold and th waves were so powerful, it was being at the mercy of nature at its best, I ended up swallowing a whole load of sea water and really struggles with all my might against the undercurrent that would just wipe out my progress in a second. When I got to shore I had a moment of that elation, the stingy pink of my skin, the pride of the wrestle, but very quickly I couldn't see straight and sitting in the foot well naked swaddled by a blanket I puked my guts out into a coffee cup. When we began the ascent up the hill, with the sun glittering through the evergreens and the smell of the forest all the fear had gone, all the memories were washed out. I was so weak and base, all I culd think of was gratitude for all the beauty as my head began not to spin anymore and I felt the warm air that rising to the peak washes over you, by the time I arrived, it was just a sweet warm relief to be in this place I knew so well and loved.

When I got there I quickly realised there was no wind to play with, I ran around like a silly puppy with my maquette kite, enjoying the sweet exercise and youthful sprite it takes to fly a kite, but it was fruitless. Without being able to try out the simple kites I couldn't get a sense for how it all worked and quickly my confidence and sureness melted away, which felt awful. I was only going to be there for two weeks and already a fair few days had passed by this time. The ghosts of the land started fogging up as the San Francisco smog crept up like a beautiful, but sinister blanket and the beast was sitting right on my chest, I was definitely not taking it for any walk.

But as life always does, the little sparks of inspiration started their little glow and it is all thanks to the people, it always is, that is why there are so many people in my work, the beautiful encounters we can have, the inspiration and the mutual button pressing that goes between people when they share their souls so openly, that magic, that always fires me up. Some of the people I meet in my life are magnificent, the wildness of a personal intimacy between two people is so unique, even in its ordinariness. I was so inspired by my artist friend Daphane Park, who just manages to bring so many people together by asking for help and having ideas on the table as a forum of discussion, it made me realise how limited I am sometimes, how I just work away in some squirrel hole alot of the time, just to be able to feel some all-encompassing ownership and I can say that, that my work is all mine all mine, but that attitude has only brought my loneliness and often exhaustion from having big ideas and trying to achieve them alone.

And Pamala, she has created a forum for deep discussion and relation in a place of safety, that is such a rare and rough diamond, that kind of devotion is so uncommon to me and I wonder and admire that she is evolved in such a way and I can see that she has such depth with so many people she touches.

Adrina my collaborator and dearest friend, we truly do cross oceans for eachother and pioneer our lives to involve eachother for meetings of the minds but also for the future, to always have a path that somehow includes eachother.

And Elliott the warrior, who let me talk on the phone for an hour in circles beause sometimes that is just how realisation and understanding comes.

And John for finding the glitter in the dark with a torch, for John because he is a special person and ecouraged me to play the organ, when the rest were getting sick of my bad teenage renditions of love songs.

To Miles and Valentine, for moving the slight cinic (inbuilt london barriers) so physically and emotionally with their psychic ceremony. They told me that I could reenact a few scenarios in my life, ask back the parts of myself that I gave too freely, they also led me to imagine that my aura was an opening and closing rose, opening to let the joy flood in, closing to protect my sweet self.

Seed and her gentle compassion and understanding.

I made some work, some new kind of work, I started something that has been inkling in my mind but never made it out as a solid pursuit and I left happy, stinking to buggery as the electricty and therfore hot water, had run out two days before, warm from the candlelight talks, a head full of glitter and some serious cowboy boots on my feet increasing my stride by 1.5. On the way to the airport I felt the beast on my chest again. And then the tears just flowed, nothing lasts forever, some beauty is just a fleeting gift.

I made a droplet, a geometric construction. This holds so much weight in my mind this form. It seems to have it all, it is the top of the hierarchy of needs, it has all of life in it, it has release, it has that mid air tiny slice of the present, it has left the source and there is an explosion impending, it is that perfect tiny slice of the present that I always think about, that doesn't really exist since the future is sucked through the portal of the present to become past in a seamless transaction. It is so relevent.
Now the last drop of that year yonder love has left my body, I have a banging body, well as much as it can bang after having a kid, but it does, all that doughy flesh that seemed to appear when love was in fruit has gone and what is left is the ferral necessity, the lythe muscles it takes to get through a day in my life, which can be a little on the edge of possibility, I feel ready to pounce.
And when I was putting the eyedrops in my nearly five year old daughters eye, who has glaucoma and has just had her second surgery all in the space of five weeks, I realised the how connected we were, that the drops would go into her eyes and come out of mine.

I am going to make some films and y'all will see them soon. really soon and I think I might turn all of them into a book.

Get ready.


Saturday, 16 April 2011

Destruction Inspires Creation

Was thinking of renting out some desk space....anyone? ;-)

Harmonious soundwaves from the loophole of infinity. 
Visual onomatpoeia, you know looks like the sound it would make.


 Coming out of their shell



We are all born in a barn


Retired lightening bolts of passion


Friday, 1 October 2010

The magical world of up the scaffolding at Eiffel Society




The Catalysts - The God and Goddess of all Creation
photo - Lisa Lozano
photo - Luke Gilford

Visible only to the keenest of attentions, CATALYSTS floats high overhead in the skylight above Eiffel Society's three teared ceiling. Embroidered in thread on tulle, its figures change with light and appear to float. In response to my enquiry as to whom I should embroider to be the God and Goddess of all creation, Kirsha said: Mythological characters of course. Who is the architypal couple that represents all you are thinking about? I said: No, they have to be living people. Kirsha: What?!! Why?!! I said: That is just the rule! They must be living. K: Well... it should be the founders of the New Orleans Contemporary Art Center then.
And that is who was embroidered.

 It was so beautiful up there, all these floating lines and shapes with the sunset flooding through, the air was so hot and still, it felt like how I imagine being inside a bubble might feel. I was pretty terrified at first, it was so high and deliriously hot that it made you feel a little unsteady, sweaty hands don't inspire confidence, but slowly I got into it and by the end, I was hanging off the sides without a blink. One fear down, a few more to go.


.....and everybodies favourite, the back, bravely photographed by Lisa Lozano on the roof of the building!






the making of the shroud and studio peek


This is my wonderful studio where all the art happens.


The beginnings of the cosmic starburst to shroud Gene Nathans lovely pearly body.


The moment inspiration flowed.


The little birdie in a nest, making art of her own.

Wednesday, 21 July 2010

so here is a sneak preview of the god and goddess of all creation, i don't normally do sneak previews, but i have been sewing like a crazy person, since i decided it was a good idea to unpick the ladies entire face when i had less than 24 hours before i left and had to fit in a school play and goodbye with my little girl. i am off home to pack and then off to new orleans in the morning to install these beauties in the ceiling panel of the eiffel society restaurant.

so more later....

Sunday, 11 July 2010

girls


Mia and Cordelia hanging out together in my studio, everytime I looked at them, I got a little thrill of happiness.